![]() ![]() Not every problem should be approached in the same way. Identify where you are stumbling out of time or continuously using the wrong fingering, work out why it's going wrong, then decide how you are going to fix it. By setting small and realistic goals, you will find you overcome tricky areas much easier, and you'll be less likely to beat yourself up for not completing absolutely everything you had planned.ĭon’t just play a piece or passage over and over again, and definitely don’t just power through a problem area and ignore it. If you aim to practise smarter, not longer, you will find yourself with a lot more willpower to draw upon. However, it is much more effective to practise little and often, and slowly chip away at your nemesis day by day. ![]() We’ve all been guilty of it at some point, and if we have an intimidating part to practise, it is easy to push it to the back of our mind. We all grow up with our teachers telling us "don’t leave it until the night before". You'll feel a great sense of accomplishment as you complete each goal. Then, break each goal down into smaller, focused objectives. Start with the end in mind: by having a goal for each practice session before you start playing, you will find you progress much more quickly and effectively. Playing through all your old music isn’t the same as practising. ![]() If you are going to do scales, consider the keys of the pieces you are rehearsing. And as a cool-down, revisit a piece of music you already know well and enjoy. Your warm-up doesn’t always have to be 15 minutes of scales try different technical studies or sight reading. Take it as an opportunity to prepare your body and mind for work and take stock of how you're feeling, how you're breathing, the tension your body is holding and why you are doing that particular exercise. But don’t just plough through the same warm-up routine every-time and let your mind wander – a warm-up isn't just about getting your muscles moving. Like a physical workout, a warm-up is essential. ![]()
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